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If you are interes you can go to and download these practice scenes and get the models that has been used, the KeyShot.
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In this tutorial I want to show you how to create the detail layer that you will find in the post processing in all of my practice scenes. Please subscribe and like if you think it was helpful and you want to see more of this and if you want to help other people just like you find this resource. Thank you so much for stopping by and watching this. Sometimes I also try out different blending modes and I encourage you to do that as well, to find the option that gives you the best look. I turn down the opacity to something like 30. Sometimes I add another layer and use a soft brush to paint on top of the glow, to create a more diffuse glow. This is actually basically how I make things glow. Maybe I will turn down the opacity a bit. You can see how it is already making a big difference. I guess that… or I’m not guessing – I think that something around a radius of 70 looks pretty cool for this purpose. This step is really just about eyeballing the look that you want for your glow.
The next step is to apply some gaussian blur to the layer. Then I click alt+backspace to fill the layer with the color. I left click and go for the brightest area on this button. To do that I press I on the keyboard to select the color picker. Then I want to fill the layer with a color. With the selection active I go ahead and create a new layer and click this layer mask button to use the active selection as a layer mask. It would work but there is another way to do it, if you have outputted a clown pass from KeyShot, you can use that to make clear selections of the material. You can see here it is a bit tough to get the edges totally clean. One of them is to simply take the magic wand tool and use that to select the area which sometimes work fine and sometimes does not. The first step is to select the material that you want to glow… or to have a glow around. You can go into the material graphs and have a look at each material and see how it is set up and so on. You’ll also get the KeyShot KSP which includes this scene with all the lighting setup and material setups. You can go through all these layers by yourself and see how they affect the final image.
Along with the raw rendering directly from KeyShot you’ll get a PSD for the final image with all the post processing that has been done to it. If you want to follow along at home you can go to my gumroad page, /esbenoxholm, and download this practice scene package, where this scene 3 is included. In today’s tutorial I want to show you how I use photoshop to makes things glow.
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You can find more information on KeyShot trial versions on Try KeyShot.In this tutorial I show how easy it is to make specific parts of your rendering glow using photoshop. Learn more about subscription licenses here.
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However, you can use your subscription license for up to three different devices that you can manage. The license requires that you sign in to KeyShot and can only be active on one machine at a time.
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